异端

Didier Ko`\nings’ simmering,-_ m``ediaev al ho-$!$rror Witt!e^(]$ Wieven explor.; es%\ the co
:;n!fluence of re=lig=\ion and ;patr/iarchy in !@an  %@ex%;ce $\ssively pu [ritan: ical Dutch village. @Blamed by her commu%% nity ?for bein`g childless+, ?_F^^rieda =im;-mers$es hers];elf in p(rayer=! *a#
nd ritual. When she retur_ns unsca%thed =from the for
bidden forest surround+
\ing the :v]illa*ge, having 
#eva[=ded a lecher+_ous bu tcher, she i^s con%$de#mned%# %as an a gen?/t of :=th?@e devi l., \ Fr_ieda, howeve*=^r, finds new fait/`h in *t-he dark powers that inh
abit - 
# #the woods.　　Shot in a reduced c;$#olour palett ,*e at the edge o/$^f vi]sibili[ty, $#Konings’ grip-[ping film co?!nstructs a convinci% :_ng pre-modern socie[$=`ty wh;_;ose p\.=+ractices it el@#`$u-\c=idates=]- wit _h. pa)(-tience and @
attention. Alt h@ough [@%set in the% Middle Ag\*es, W#;@itte Wi ? even displays an unmistakably co=`ntempor,!a
ry spiri`[t, crafti?ng (a#? femi^n=/(:ist, p;!arable about women discov*,erin  g n@ew way#s of under/standi\(ng their lives - ?and] the -w((or(ld.